Vol. 5 No. 1 (2018): Sound textures: the acoustic face of culture

• Sound and culture: acoustic cartographies and soundscape

  Madalena Oliveira, Pedro Portela, Eduardo Vicente

  5–10 | 11–16

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Heard places

• Acceleration, deceleration, sonic torture and inertia: temporalities of a football match

  Pedro Silva Marra

  19–35 | 37–52

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• Transcription of Vale do Ave into sound: creation of a spatial auditory language

  Cidália Ferreira Silva, Eugénia Aguiar Leite

  53–73 | 75–95

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• Samba and jazz overseas: the textual urban landscape of Paris between the two World Wars with the arrival of the new music from America

  Graziela Mello Vianna

  97–114 | 115–132

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Echoes of imagination, identity and the real

• Talking pictures: the interactive poetics of imagined sound

  Seán Street

  135–152 | 153–169

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• Musicality of Portuguese: introduction to a sonority and phonetic acoustic in the Lusophone world

  Teresa Costa Alves

  171–189 | 191–208

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• Invisible audio: an analysis of the podcasts of Portuguese newspapers

  Ana Isabel Reis

  209–225 | 227–243

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Sound aesthetics

• DJ Dolores: experimentation, difference and memory of the electronic music

  Herom Vargas, Nilton Faria de Carvalho

  247–262 | 263–278

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• Disintegration and repetition: an analysis based on William Basinski

  Manuel Bogalheiro

  279–292 | 293–305

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• Soundscapes of low fidelity in O som ao redor (2012) and Ventos de agosto (2014)

  Igor Araújo Porto, Miriam de Souza Rossini

  307–323 |325–341

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Book Reviews

• Street, S. (2017). Sound poetics. Interaction and personal identity. Cham: Palgrave.

  Madalena Oliveira

  345–349 | 351–355

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