Vol. 6 No. 1 (2019): Cinema, migrations and cultural diversity

• Cinema, migration and cultural diversity: introductory note

  Rosa Cabecinhas, Isabel Macedo, Renné França

  5-11|13-19

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Thematic articles

• Visions of Latin America in Glauber Rocha’s Cabezas cortadas

  Estevão Garcia

  23-36|37-50

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• Entre memórias silenciadas by Ungulani ba ka Khosa and Virgem Margarida by Licínio de Azevedo: spaces and memories

  Teresa Manjate

  51-68|69-85

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• Lusophony in the cinema

  Benalva da Silva Vitorio

  87-99|101-113

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• Film screening African Lisbon: talking about Li ké terra and Horse Money in classrooms

  Ana Cristina Pereira, Isabel Macedo, Rosa Cabecinhas

  115-135|137-156

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• Chocolat and Black Venus: body, identity and memory

  Catarina Andrade

  157-172|173-188

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• O animal cordial: an erasure on reason

  Fernanda Marra

  189-199|201-211

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• A look atthe Israeli-Palestinian peace process and the land issue in the documentary Promises (2001)

  Claudinei Lodos

  213-229|231-247

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• “Off-axis” audiovisual production and education in Brazil: the case of the Federal Institute of Goiás

  Renato Prado

  249-262|263-276

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Varia

• O regresso do morto: the return to misfortune by Suleiman Cassamo

  Martins José Chelene Mapera

  279-287|289-297

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• Re-education centres in Mozambique (1975-1985): memories, silences and journalistic speeches

  Orquídea Ribeiro, Daniela da Fonseca

  299-308|309-318

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Book Reviews

• Gago, G. (Director). (2017). Matria [Film]. Spain: Sombriza Films, Ringo Media.

  Carla Cerqueira

  321-324|325-328

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• Caffé, E. (Director). (2003). Storytelles [Narradores de Javé][Film]. Brasil, França: Bananeira Filmes, Gullane Filmes, Laterit Productions and Riofilme.

  Giane Lessa

  329-332|333-336

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