O Lugar da Textualidade na Arte: Entrevista a Bernardo Pinto de Almeida

Helena Pires

doi:10.21814/rlec.4157

Authors

Helena Pires Communication and Society Research Centre, University of Minho, Braga, Portugal https://orcid.org/0000-0002-5533-4687

DOI:

https://doi.org/10.21814/rlec.4157

Abstract

Bernardo (Alberto Frey) Pinto de Almeida (Peso da Régua, 1954) is a poet and essayist with work published in Portugal and internationally. He has been engaged in poetic, theoretical, historiographical and critical activity since 1974. He is a researcher and full professor of art history and theory. From a close relationship with some of the main Portuguese artists of the second half of the twentieth century, he has developed critical approaches to their respective works in creative collaboration, thus setting his own apart from other critical discourses.

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Author Biography

Helena Pires, Communication and Society Research Centre, University of Minho, Braga, Portugal

Helena Pires is an associate professor at the Department of Communication Sciences, Institute of Social Sciences, University of Minho, Portugal, and a member of the Communication and Society Research Centre. She holds a PhD in Communication Sciences, in semiotics of communication, from the University of Minho, 2007. She has taught advertising, semiotics and communication, and art in this same institution. For four years, until November 2019, she was the coordinator of the Advertising Group of Sociedade Portuguesa de Ciências da Comunicação. She has published and developed research work in the field of visual and urban culture, namely on the (urban) landscape, particularly on the landscape in contemporary art. Currently, she is co-coordinator of Passeio – Platform of Art and Urban Culture, an intervention platform of the Communication and Society Research Centre/University of Minho.