Moors versus Christians: from the difference explaining war to the cultural encounter

Authors

DOI:

https://doi.org/10.21814/rlec.2367

Keywords:

festivities, heritage, Moors and Christians, inversion processes

Abstract

São João de Sobrado, also known as Bugiada e Mouriscada, is both a singular object and an event that dialogues with other similar festivities, thus raising different levels of analysis and discission. Although we may find in Portugal other evocative festivals where Christian-Moors fights are staged, the one that is celebrated in Sobrado reveals a very unique character. The absence of a written text to support this representation adds to the complex structure of the festival, with the fusion of several seemingly disconnected moments, ranging from carnivalesque evocations to medieval-inspired farces. On the other hand, when considered in its relationship with other festivals associated with the wars between Moors and Christians, the Bugiada e Mouriscada stimulates the discussion on various topics, defining different axes of analysis. The debate about the relationship between identity and difference is one of these issues, allowing us to discuss, among other aspects, possible processes of reframing the interpretations of the festival, valuing for example the idea of cultural encounter. Also the contemporary processes of cultural heritage conservation should be considered, by which a third axis of analysis is defined, exactly what results from the confrontation of the Bugiada e Mouriscada of Sobrado with other similar festivities, either taking place in Portugal and Spain, or those that migrated to distant places as a result of colonisation, evangelization and other similar processes. Seeking to explore some of these dimensions, this work – as part of an ongoing research – does not have the ambition to be conclusive or even to propose a systemic or integrated approach, but merely to give a contribution.

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Published

2019-12-20

How to Cite

Cunha, L. (2019). Moors versus Christians: from the difference explaining war to the cultural encounter. Lusophone Journal of Cultural Studies, 6(2), 37–49. https://doi.org/10.21814/rlec.2367