Arte pública urbana e comunicação turística

Pedro Andrade

doi:10.21814/rlec.2119

Authors

Pedro Andrade Communication and Society Research Centre, University of Minho, Portugal https://orcid.org/0000-0003-4550-0562

DOI:

https://doi.org/10.21814/rlec.2119

Keywords:

urban public art, tourism communication, city 3.0, communicative tourism, web 3.0

Abstract

The present text, on the one hand, aims to unveil some of the most recent debates on urban public art, and its most creative practices. In this perspective, an illustrative case study about the Imminent Festival is presented as interculturality immanent to public art. Then, public e-art is discussed, that is, public art that is produced and shared in cyberspace and cybertime. And these artistic initiatives are confronted with controversies, classic and current, about mobile cultures such as tourism and, in particular, the tourist communication process. New epistemologies and sociological methodologies are also addressed, and exemplified with Artistic Sociology, Hybridology and Sociological Comics. Finally, a brief glossary seeks to synthesize and define some sociological concepts that circumscribe central social processes, underlying the articulation and hybridization between urban public art and tourist communication.

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