Transnational Platform-Living: Brazilian Content Creators on YouTube and Digital Labour in Portugal
DOI:
https://doi.org/10.21814/rlec.7033Keywords:
migration, digital labour, YouTube, content creators, digital platformsAbstract
This article examines how Brazilian migrant content creators in Portugal transform migratory experience into digital labour on YouTube, acting as mediators of migration under conditions of infrastructural dependency. It starts from the premise that producing migration-related content entails articulating personal trajectories, audience expectations, platform norms, visibility metrics, and monetisation opportunities. The study adopts a qualitative approach, combining the online observation of Brazilian creators’ channels in Portugal with a material-discursive analysis of the platform’s technical, normative, and discursive infrastructures. The analysis considers elements such as YouTube Creators, channel monetisation policies, Community Guidelines, and advertiser-friendly content guidelines, understanding them as devices that guide, shape, and regulate creators’ practices. The findings suggest that the migratory experience becomes a recurring subject of content production, organised primarily around two axes: the documentation of everyday life and the provision of practical guidance on migration, including topics such as employment, documentation, housing, and adaptation to life in Portugal. At the same time, these productions are permeated by demands for regularity, authenticity, performance, and compliance with the platform’s algorithmic and commercial logics. The article contributes to bringing migration studies, digital communication, and platform labour into closer dialogue, demonstrating that the migrant condition and the condition of being digital worker can be understood together through the sociotechnical mediations that shape the production, circulation, and monetisation of migration-related content on YouTube.
Downloads
References
Barad, K. (2007). Meeting the universe halfway: Quantum physics and the entanglement of matter and meaning. Duke University Press.
Bishop, S. (2019). Managing visibility on YouTube through algorithmic gossip. New Media & Society, 21(11–12), 2589–2606. https://doi.org/10.1177/1461444819854731
Bucher, T. (2018). If...then: Algorithmic power and politics. Oxford University Press.
Callon, M. (2001). Actor network theory. In N. J. Smelser & P. B. Baltes (Eds.), International Encyclopedia of the Social & Behavioral Sciences (pp. 62–66). Elsevier. https://doi.org/10.1016/B0-08-043076-7/03168-5
Couldry, N. (2012). Media, society, world: Social theory and digital media practice. Polity.
Cunningham, S., & Craig, D. (2021). Creator culture: An introduction to global social media entertainment. NYU Press.
Duffy, B. E. (2017). (Not) getting paid to do what you love: Gender, social media, and aspirational work. Yale University Press.
Gillespie, T. (2010). The politics of “platforms”. New Media & Society, 12(3), 347–364. https://doi.org/10.1177/1461444809342738
Gillespie, T. (2014). The relevance of algorithms. In T. Gillespie, P. J. Boczkowski, & K. A. Foot (Eds.), Media technologies: Essays on communication, materiality, and society (pp. 167–194). MIT Press. https://doi.org/10.7551/mitpress/9780262525374.003.0009
Hegde, R. S. (2020). Mediation. In K. Smets, K. Leurs, M. Georgiou, S. Witteborn, & R. Gajjala (Eds.), The SAGE handbook of media and migration (pp. 3–8). SAGE Publications.
Kitchin, R., & Dodge, M. (2011). Code/Space: Software and everyday life. MIT Press. https://doi.org/10.7551/mitpress/9780262042482.001.0001
Lakatos, E. M., & Marconi, M. de A. (2003). Fundamentos de metodologia científica (5.ª ed.). Atlas. (Trabalho original publicado em 1985)
Latour, B. (2012). Reagregando o social: Uma introdução à teoria do ator-rede (G. C. C. de Sousa, Trad.). EDUFBA/EDUSC. (Trabalho original publicado em 2005)
Law, J. (1992). Notes on the theory of the actor-network: Ordering, strategy, and heterogeneity. Systems Practice, 5, 379–393. https://doi.org/10.1007/BF01059830
Lemos, A. (2020). Epistemologia da comunicação, neomaterialismo e cultura digital. Galáxia, 43, 54–66. https://doi.org/10.1590/1982-25532020143970
Lemos, A. (2021). A tecnologia é um vírus: Pandemia e cultura digital. Sulina.
Lemos, A., & Bitencourt, E. (2021). Sete pontos para compreender o neomaterialismo. Galáxia, 46, 1–10. https://doi.org/10.1590/1982-2553202152017
Leurs, K., & Ponzanesi, S. (2024). Doing digital migration studies: Introduction. In K. Leurs & S. Ponzanesi (Eds.), Doing digital migration studies: Theories and practices of the everyday (pp. 17–42). Amsterdam University Press. https://doi.org/10.2307/jj.11895524.5
Levitt, P., & Schiller, N. G. (2004). Conceptualizing simultaneity: A transnational social field perspective on society. International Migration Review, 38(3), 1002–1039. https://doi.org/10.1111/j.1747-7379.2004.tb00227.x
Nieborg, D. B., & Poell, T. (2018). The platformization of cultural production: Theorizing the contingent cultural commodity. New Media & Society, 20(11), 4275–4292. https://doi.org/10.1177/1461444818769694
Nissenbaum, H. (2010). Privacy in context: Technology, policy, and the integrity of social life. Stanford University Press.
Poell, T., Nieborg, D. B., & Duffy, B. E. (2022). Platforms and cultural production. Polity. (Trabalho original publicado em 2021)
Portes, A. (1999). Conclusion: Towards a new world – The origins and effects of transnational activities. Ethnic and Racial Studies, 22(2), 463–477. https://doi.org/10.1080/014198799329567
Siciliano, M. L. (2021). Creative control: The ambivalence of work in the culture industries. Columbia University Press. https://doi.org/10.7312/sici19380
van Dijck, J., Poell, T., & de Waal, M. (2018). The platform society: Public values in a connective world. Oxford University Press. https://doi.org/10.1093/oso/9780190889760.001.0001
Vertovec, S. (2009). Transnationalism. Routledge. https://doi.org/10.4324/9780203927083
YouTube Ajuda. (s.d.-a). Diretrizes de conteúdo adequado para publicidade. Retirado em 13 de maio de 2026, de https://support.google.com/youtube/answer/6162278?hl=pt
YouTube Ajuda. (s.d.-b). Políticas de rentabilização de canais do YouTube. Retirado em 13 de maio de 2026, de https://support.google.com/youtube/answer/1311392?hl=pt
YouTube Ajuda. (s.d.-c). Regras da comunidade do YouTube. Retirado em 13 de maio de 2026, de https://support.google.com/youtube/answer/9288567?hl=pt
YouTube Creators. (s.d.). Tudo aquilo de que precisa para criar conteúdo no YouTube. Retirado em 13 de maio de 2026, de https://www.youtube.com/creators/
Downloads
Published
Issue
Section
License
Copyright (c) 2026 Dalvacir Xavier de Oliveira Andrade

This work is licensed under a Creative Commons Attribution 4.0 International License.
Authors own the copyright, providing the journal with the right of first publication. The work is licensed under a Creative Commons - Atribuição 4.0 Internacional License.


